George Arliss and Alan Mowbray – as Hamilton and Washington – are joined this year by Rin Tin Tin and Marion Davies:
New on DVD! THE MAN WHO PLAYED GOD (1932) with Bette Davis
I’m a little late on this but Warner Archive recently issued the sixth official studio DVD release of Classic Arliss. This time it’s Mr. A’s blockbuster, THE MAN WHO PLAYED GOD:

Mr. A arranged for Warner Bros. to hire a young unknown actress named Bette Davis to play the role of his fiancee in the film. This proved to be Bette’s breakthrough film:

George Arliss plays wealthy concert pianist Montgomery Royale who seems to have it all:

Royale is in the wrong place at the wrong time and is injured by a bomb in a terrorist attack (yes, even then). The blast destroys his hearing and he can no longer hear his own music. His life ruined, he becomes so depressed that he attempts suicide:

Royale learns lip-reading, which turns out to be a mixed blessing. He goes from believing that God has abandoned him to the realization that he has become God’s instrument to help the less fortunate:

But through lip-reading he learns that his fiancee loves another man. Royale asks himself, “I wonder what God would do in a case like this?” This strangely inspiring film still moves viewers over 80 years later. A true classic:

Mr A later performed a live radio broadcast of this story that was heard around the world. To hear this historic broadcast, please click on “Radio” in the right hand column, and then click on THE MAN WHO PLAYED GOD.

Arliss Alert! THE HOUSE OF ROTHSCHILD on TCM 9/23 @ 8 PM Eastern Time
George Arliss returns to the air in prime time. This Tuesday, September 23, Turner Classic Movies (TCM) is showing THE HOUSE OF ROTHSCHILD at 8 PM, eastern time. Better yet, the finale is being shown in its original Technicolor glory! Better not miss this one.
Mr. A as Meyer Rothschild in the film’s prologue:

Boris Karloff as the antisemitic Prussian Count Ledranz:

Loretta Young as Julie and Mr. A as her father, Nathan Rothschild:

A Technicolor frame capture with Loretta Young and Robert Young:

Another frame cap from the Technicolor finale, Florence Arliss and Mr. A:

THE DEVIL (1920) Returns!
THE DEVIL has the distinction of being two “Firsts” for George Arliss. In 1908, it became his first starring play, then twelve years later the story was his first motion picture. Mr. A’s six silent films collectively serve as a “dress rehearsal” for his later sound film successes but, alas, only two of the silents appeared to have survived: THE GREEN GODDESS (1923) and TWENTY DOLLARS A WEEK (1924). Then a sole 35mm print of THE DEVIL was found in Canada by a gentleman named Larry Smith, who generously donated the film to the Library of Congress (LOC) where it has been copied and preserved. Recently, Larry uploaded THE DEVIL to Youtube and thus returned this long-lost Arliss feature to general circulation for the first time in over 90 years!

These images are screen caps from the Youtube upload of THE DEVIL, and as a result are low resolution. Your blogmeister has viewed a 35mm copy at the LOC and can assure you that the image quality is excellent.

Mr. A as the “helpful” Dr. Muller adroitly plants all sorts of carnal temptations in the thoughts of his friends.

A young Edmund Lowe seem skeptical of the good doctor’s advice. Lowe would become a popular silent screen star during the 1920s and successfully transitioned to talkies in the 1930s.

Florence Arliss (Mrs. A) also played a role as the aunt of the heroine.

Lucy Cotton and Edmund Lowe as the lovers

Dr. Muller has his own plans for the lady and they’re not honorable.

As powerful as the Devil is, there’s Someone who is stronger.

The Devil goes to Hell-literally.

Hopefully, by now you’d like to see THE DEVIL so here’s the Youtube link. Enjoy!
CARDINAL RICHELIEU (1935) – First Time on DVD!
Twentieth Century-Fox has just released on DVD the classic George Arliss costume film, CARDINAL RICHELIEU. This makes the fifth Arliss film to receive an official studio home video release:

These are screen captures of the main titles – quite a line up of talent both in front of and behind the cameras:

Filming a scene with Maureen O’Sullivan:

CARDINAL RICHELIEU plays in the Middle East:

The back cover of the DVD snap case:

For more photos, info, and to hear the radio version of this terrific film, please click on the CARDINAL RICHELIEU link on the right-hand column.
The Official 2014 George Arliss Wall Calendar
Get your Official 2014 George Arliss Wall Calendar before supplies run out —
don’t wait until the last minute – or until 2015!

In the image above, Dudley Digges, who was Mr. A’s stage manger in earlier days, plays the Royal Chamberlain to King Phillip (who else but Mr. A?) in the comedy, THE KING’S VACATION (1933)
Ordering your own Official 2014 George Arliss Wall Calendar is easy – just download and print. This artwork is really the Arliss Archives’ Christmas Gift to the world – you need only provide the printing.
If you prefer a larger size or higher quality than home printers can provide, let me suggest that you copy the calendar to a thumb drive and take it to Kinko’s or a similar digital printing retailer for more options.
New Arliss Film on DVD! THE WORKING MAN with Bette Davis
If your blogmeister had to name only one George Arliss film to somebody who had never seen any, unquestionably that film would be THE WORKING MAN (1933). Never before available on home video, Warners Archive just released this clever comedy on DVD and remastered the film to help make it look brand new!

THE WORKING MAN was made at the height of the Great Depression when, under the circumstances, it was popular to attack Capitalism and America’s free market economy. But this film shows how Capitalism can be fun and how the free market creates new jobs:

Mr. A plays a shoe manufacturing tycoon who sees his chance to take over a rival’s business. Complications ensue and Mr. A ends up competing with his own company.

Romance also ensues as Bette teaches Mr. A’s stuffy young nephew a few lessons in love:

The film’s back story is even better: Mr. A discovered Bette and launched her successful film career. See it all happen in THE WORKING MAN:

Check out THE WORKING MAN at http://www.wbshop.com
George Arliss in 3D
The current interest in 3D movies has a long history dating back to the 19th century use of stereograms whereby two seemingly identical photos were placed side-by-side. When seen through a viewer, called a Stereoscope, these 2D images sprang to life by blending into one three-dimensional image that was more vivid than life itself. The secret to creating this 3D illusion was to take one of the two “identical” photos from a slightly different perspective than the other, about equal to the distance between our eyes.
The Age of Stereograms spanned the 1880s through the 1920s and offered mainly the sights of far-away places. Celebrity 3D photos were limited to political leaders and important military officers. For whatever reason, neither Broadway nor Hollywood celebrities seemed to have posed for these pictures. However, 21st century computer software can help us render a “simulated 3D” image that suggests what our favorites of yesteryear might have looked like in the third dimension. If you have access to an old Stereoscope or perhaps to a modern version made of cardboard found in books about old stereo cards, then you’re all set to enjoy seeing Mr. A as Shylock as he appeared on the stage in 1928 in Shakespeare’s THE MERCHANT OF VENICE:

Don’t despair if you lack access to a viewer because you really don’t need one. With a bit of patience you can easily train your eyes in the knack of “free viewing,” where you can see the 3D effect without a viewer. If your Blogmeister can learn it, so can you. It helps at first if you hold your hand or a piece of cardboard in front of your face on edge so your right eye cannot see the picture on the left side and your left eye can’t see the picture on the right. Stare straight ahead as if you are are looking “through” the photos and soon you’ll notice the two photos move towards each other to become one. Try it with this image of Ivan Simpson and Mr. A from DISRAELI (1929):

I find that smaller size photos work better than larger ones. Also, experiment with moving the images closer or further away from your eyes. A distance between 10 and 12 inches or so usually works but you’ll just have to use trial and error. Once you’ve experienced the 3D effect you will know what to look for and subsequent free viewing will be easy. Here is Ivan Simpson again without his makeup for DISRAELI, but practicing his skill as a sculptor by immortalizing Mr. A as Mr. Disraeli:

You can enjoy the 3D effect right on your computer screen so there’s no need to print out the images. I’ve even managed to see the 3D effect with these photos on my iphone but I won’t recommend it for beginners. Not every photo is a candidate for 3D. This photo of Mr. A and June Collyer from ALEXANDER HAMILTON (1931) works well because it has a clearly defined foreground and background:

If you’ve gotten this far with seeing the above photos in 3D, then you’re ready for the post-graduate course. Try this exquisite portrait of Mr. A, Loretta Young, and Robert Young from THE HOUSE OF ROTHSCHILD (1934). Not only is the foreground/background clearly distinguished, but the lighting effects seem to suggest a 3D effect as well:

This photo is from the closing scene of THE HOUSE OF ROTHSCHILD that was originally photographed in color so I took my coloring cues directly from the film itself. I slightly altered the color of the carpet between the two images so you may notice a vivid quality as the colors combine. Florence Arliss, Mr. A, and Reginald Owen:

Finally, here is a genuine 3D photo that your Blogmeister just made using an ordinary digital camera. The bust was sculpted by Ivan Simpson around 1923 and captures Mr. A as the Rajah of Rukh in THE GREEN GODDESS, a hit play that he made both as a silent film and later in sound in 1929 (release in 1930). Mr. A refers to this bust in the first volume of his memoirs:












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