Arliss Alert! VOLTAIRE on TCM Thursday, March 11 at 6AM EST

Our favorite among all the Arliss “biopics,” VOLTAIRE is an intriguing and clever film dealing with an episode in the life of the famous philosopher, author and wit, and lady’s man.

Mr. A with Doris Kenyon who plays Madame de Pompadour

Warner Bros. regarded the project as “Arliss’s film” because he had advocated the story since at least 1919 when he asked George Bernard Shaw to write a play for him. Instead two Boston newspapermen sent Mr. A their own Voltaire play and he liked it. Revising the script himself, but refusing a co-author credit, the play remained unproduced until 1933 when Darryl Zanuck at Warners “green-lighted” the production.

Alan Mowbray as the villain De Sarnac is confronted by Voltaire

The Warners publicity department didn’t know how to advertise the film because costume films were considered box office “poison” so VOLTAIRE posters suggested some sort of modern dress romantic comedy. The studio shouldn’t have worried because the film made a healthy profit of 65% once it made back its production costs. George Arliss’s final film for Warner Bros. also proved to be one of his most successful.

A souvenir coin to promote the film

Don’t miss this one!

Published in: on March 5, 2021 at 2:08 PM  Comments (6)  
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Celebrate the Centennial Premiere of THE DEVIL (1921), the first George Arliss Film.

Today, January 16, we are holding an online re-premiere for the Centennial of THE DEVIL, the first film starring George Arliss. The original premiere took place on January 16, 1921 in New York City at the Mark Strand Theater. We have been working on this project for well over a year. Thanks are due to Larry Smith of the Library of Congress and to Lewis Schoenbrun who volunteered his professional services to restore the images. We also gave the video a 4K scan and added the music. It can be viewed in HD at https://youtu.be/okiNSuhLB38

Mr. Arliss Comes to Flip Books!

What will they think of next! (He said in jest). Those ingenious little movie flip books are fondly remembered for their low-tech way of providing a brief movie clip by printing the frames of motion picture film, one frame per page at a time, then “animated” by simply using your thumb to flip the little pages. And voila! – you’ve got yourself a movie. But until now there has never been a George Arliss Flip Book.Arliss Devil Flip book

Since the 100th anniversary of Mr. A’s very first film, THE DEVIL, is coming this January 2021, I thought it was most appropriate to create an Arliss flip book. I decided on using the final moments of this film where Mr. A’s character is consumed by flames and sent back to the netherworld. I’ve never made a flip book in my life – next week I turn 70 – but there’s no time like the present to try. So I taxed my ingenuity to copy almost a hundred frame grabs from the video I have of the film. At 24 frames per second I had my choice of material so I decided to copy one frame per half second or so.

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Next I had to size the frames to measure about 2.5 x 4.5 inches in order to fit on each page of the flip book. The most time consuming part of the project after printing out the frames was to cut out each frame and paste it on a page of the flip book – strictly in chronological order. This was tedious – but worth the effort.

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Finally, the time came to flip the pages and it worked perfectly. Of course, I wanted to share this creation with all Arlissians. So I decided to make a video of the flip book in operation and let it loop so could all enjoy the show. A simple thing but one that has fascinated many generations. Without further ado, here is a unique addition (truly one of a kind) to film history lore: a George Arliss Moving Picture Flip Book. Enjoy!

Published in: on September 19, 2020 at 8:54 PM  Comments (7)  
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Mr. A Sails the High Seas

Back before the age of jet liners linked America and Europe in a matter of hours, transatlantic travel meant spending several days at sea and, hopefully, in good weather. Mere acquaintances on land would form onboard friendships during the voyage, though most of these tended to fizzle out once they were back on terra firma.

Mr. A was no exception to this social ritual as many candid photographs attest. Here’s a collection of moments from long ago voyages during the 1920s and 30s when Mr. and Mrs. A shuttled between Southampton, England, and New York City, then cross-country by train to Los Angeles.

Here the caption informs us that Florence and George have arrived in New York onboard the S.S. Mauretania in September 1922 after a visit home to England :

George Arliss is considered a “notable” onboard the S.S. Berengaria as he returns to New York after a two month vacation in Europe on November 22, 1924:

The Arlisses leave New York on the S.S.Leviathan on May 21,1927. The ship had been converted from a luxury liner to a troop ship during World War I and was then transformed back to a liner. The “slug” or photo caption adds some details:

The slug states that Mr. and Mrs. A are leaving New York on the S.S. Majestic on May 29, 1931, for a combined vacation and search for new film material. Color by Moi:

Mr. A chats with a fellow passenger in this undated photo, circa mid-1930s:

Another undated photo but Mr. A’s stiff collar suggests the late 20s or early 30s. By the mid-1930s, Florence’s eyesight had worsened and she rarely appeared on deck:

Mr. A seems happy to share the attentions of the paparazzi with a fellow thespian, Edith Evans, or so I believe. The back of this news photo indicates that it was taken onboard the R.M.S. Majestic in Southampton in 1934:

Having just completed CARDINAL RICHELIEU (1935) in Hollywood, Mr. A has his stateroom invaded as he and Flo leave from New York aboard the S.S. Olympic, sister ship of Titanic, on what I believe is the ship’s final voyage before it was retired:

After an absence of two years while making films in Britain, Mr. A returns to New York on November 9, 1937 via the S.S. Aquitania. He seems to be waiting to go through customs:

Another photo of Mr. A still waiting to go through customs on Nov. 9, 1937. He seems to be saying to the photographer,”Haven’t you taken enough?”

A familiar shipboard pose on the ship S.S. Aquitania as it arrives in Southampton from New York on April 26, 1938:

Finally, a view from the other side of the cameras aboard the S.S. Aquitania on Mr. A’s return to America on Nov.9, 1937:

 

Arliss ALERT! Double Feature: THE GREEN GODDESS and DISRAELI – Tuesday, February 18 at 6 AM EST

TCM aka Turner Classic Movies – is showing Mr. A’s first two talkies this Tuesday, February 18th, starting at 6 AM eastern time (THE GREEN GODDESS) and then at 7:15 AM his Academy Award winning performance in DISRAELI (1929).
Not to be missed!

Published in: on February 16, 2020 at 5:14 PM  Comments (4)  
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The Official 2020 George Arliss Calendar

Here it is – our official 2020 George Arliss Calendar. This year we offer Mr. A with a distinctly “cowboy” look. The colorization is, as usual, by myself. Get your calendar today, and that’s easy. Just print it out. Looks great in 8×10!

A Brief “Morphing” Video with Mr. A as Disraeli from the 1921 Silent Film

Here’s a short “morphing” video I just created using a portrait of Mr. A as Benjamin Disraeli from the 1921 silent version of DISRAELI, a film that is now apparently lost. The musical accompaniment I added is especially complimentary (I think):

Published in: on December 15, 2019 at 6:52 PM  Comments (1)  
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A Video Tour of the Original Souvenir Program from DISRAELI (1929) with original color lobby cards


Souvenir programs from vintage films are highly collectible and one in mint condition can be quite expensive to acquire. Let’s take a video tour of this 1929 DISRAELI program from my collection. I’ve interspersed the set of color lobby cards released by the studio to enhance the tour.

Here we have a complete copy of another Arliss-DISRAELI souvenir program. But this one is from the stage version and dates from 1912!

Arliss Alert! A SUCCESSFUL CALAMITY (1932) is being aired in the US on Monday, August 26, 2019, at 12:30 PM EDT on TCM (Turner Classic Movies)


Mr. A’s family comedy, I call it a proto-type of “Father Knows Best,” is being broadcast tomorrow as part of TCM’s salute to Mary Astor. Long before Mary co-starred with Humphrey Bogart or Walter Huston, she played Mr. A’s wife in this May-September relationship. The age difference was not glossed over and, indeed, becomes an important story point as the plot develops.

Mr. A wondered in his autobiography, MY TEN YEARS IN THE STUDIOS, whether A SUCCESSFUL CALAMITY made any money for Warner Bros. but he needn’t have worried. Studio records show that this little film made a tidy profit during the depths of the Great Depression. Get your DVRs ready for this one although your blogmeister is happy to report that Warner Archive has offered this film on DVD for several years now!

Published in: on August 25, 2019 at 11:41 AM  Comments (2)  
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THE RULING PASSION – A Review of Mr. A’s 1922 Silent Film Comedy

Typically listed as a “lost” film, Mr. A’s 1922 silent film comedy, THE RULING PASSION, may exist after all. Hope is kindled by news that one or more foreign film archives may own a print. These include the Russian Gosfilmofond, the Cinémathèque Française, and the Belgian CINEMATEK. Also on your blogmeister’s “hopeful list” is the Dutch EYE Film Institute that has led the way by posting so many of its vintage holdings online.

THE RULING PASSION was based on a short story by Earl Derr Biggers, who later became famous as the creator of the “Charlie Chan” novels. Mr. A plays John Alden, an automobile tycoon who is forced into retirement by his doctor’s orders. Bored, he decides to invest in a business deal – a gas station – in partnership with a young man, Bill Merrick. Of course, Alden uses an alias so his young partner doesn’t know his colleague is practically Henry Ford. Alden and Merrick are swindled in the sale by the seller, Peterson, who competes against them with his new gas station.

Complications develop when Alden’s daughter, Angie, drives in and discovers her father pumping gas. She and Merrick meet and romance blossoms. Angie agrees to keep her Dad’s secret life from her mother but Mrs. Alden eventually stops by for a fill-up and discovers the truth. Alden and Merrick plan a successful marketing campaign, taking so much business away from their rival that Peterson offers to buy them out at a huge profit on their original purchase.

Bill asks Angie to marry him and he goes to her home seeking her father’s permission, unaware that his partner is Angie’s father. The ruse is happily revealed and Alden’s doctor has to admit that the adventure was healthful for Alden who can now return to work again.

The film had its New York City premiere on January 22, 1922, and received mostly excellent reviews. Released through United Artists, THE RULING PASSION was independently produced through a company, Distinctive Pictures, that was formed specifically to make George Arliss films. PASSION became the third Arliss film, following THE DEVIL (1920) and DISRAELI (1921). The success of the earlier two led to making the third, which in turn led to three more films being made.

A trade press story of the day:

Another story for the exhibitors:

Box Office tells the tale:

Doris Kenyon plays the role of Mr. A’s daughter, Angie. A popular screen actress she would play Mr. A’s wife nine years later in ALEXANDER HAMILTON (1931):

While THE RULING PASSION is still considered among the missing Arliss films, we are fortunate that he decided to remake the story as a talkie in 1931 renamed THE MILLIONAIRE. However, lettering on studio photos indicate that the talkie version’s working title continued to be THE RULING PASSION.

An original color half-sheet (22×28 inches) for THE RULING PASSION:

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