Mr. A Sails the High Seas

Back before the age of jet liners linked America and Europe in a matter of hours, transatlantic travel meant spending several days at sea and, hopefully, in good weather. Mere acquaintances on land would form onboard friendships during the voyage, though most of these tended to fizzle out once they were back on terra firma.

Mr. A was no exception to this social ritual as many candid photographs attest. Here’s a collection of moments from long ago voyages during the 1920s and 30s when Mr. and Mrs. A shuttled between Southampton, England, and New York City, then cross-country by train to Los Angeles.

Here the caption informs us that Florence and George have arrived in New York onboard the S.S. Mauretania in September 1922 after a visit home to England :

George Arliss is considered a “notable” onboard the S.S. Berengaria as he returns to New York after a two month vacation in Europe on November 22, 1924:

The Arlisses leave New York on the S.S.Leviathan on May 21,1927. The ship had been converted from a luxury liner to a troop ship during World War I and was then transformed back to a liner. The “slug” or photo caption adds some details:

The slug states that Mr. and Mrs. A are leaving New York on the S.S. Majestic on May 29, 1931, for a combined vacation and search for new film material. Color by Moi:

Mr. A chats with a fellow passenger in this undated photo, circa mid-1930s:

Another undated photo but Mr. A’s stiff collar suggests the late 20s or early 30s. By the mid-1930s, Florence’s eyesight had worsened and she rarely appeared on deck:

Mr. A seems happy to share the attentions of the paparazzi with a fellow thespian, Edith Evans, or so I believe. The back of this news photo indicates that it was taken onboard the R.M.S. Majestic in Southampton in 1934:

Having just completed CARDINAL RICHELIEU (1935) in Hollywood, Mr. A has his stateroom invaded as he and Flo leave from New York aboard the S.S. Olympic, sister ship of Titanic, on what I believe is the ship’s final voyage before it was retired:

After an absence of two years while making films in Britain, Mr. A returns to New York on November 9, 1937 via the S.S. Aquitania. He seems to be waiting to go through customs:

Another photo of Mr. A still waiting to go through customs on Nov. 9, 1937. He seems to be saying to the photographer,”Haven’t you taken enough?”

A familiar shipboard pose on the ship S.S. Aquitania as it arrives in Southampton from New York on April 26, 1938:

Finally, a view from the other side of the cameras aboard the S.S. Aquitania on Mr. A’s return to America on Nov.9, 1937:

Arliss Shipboardon board Nov 9 1937

Arliss ALERT! Double Feature: THE GREEN GODDESS and DISRAELI – Tuesday, February 18 at 6 AM EST

TCM aka Turner Classic Movies – is showing Mr. A’s first two talkies this Tuesday, February 18th, starting at 6 AM eastern time (THE GREEN GODDESS) and then at 7:15 AM his Academy Award winning performance in DISRAELI (1929).
Not to be missed!

Published in: on February 16, 2020 at 5:14 PM  Comments (4)  
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The Official 2020 George Arliss Calendar

Here it is – our official 2020 George Arliss Calendar. This year we offer Mr. A with a distinctly “cowboy” look. The colorization is, as usual, by myself. Get your calendar today, and that’s easy. Just print it out. Looks great in 8×10!

A Video Tour of the Original Souvenir Program from DISRAELI (1929) with original color lobby cards


Souvenir programs from vintage films are highly collectible and one in mint condition can be quite expensive to acquire. Let’s take a video tour of this 1929 DISRAELI program from my collection. I’ve interspersed the set of color lobby cards released by the studio to enhance the tour.

Here we have a complete copy of another Arliss-DISRAELI souvenir program. But this one is from the stage version and dates from 1912!

Arliss Alert! A SUCCESSFUL CALAMITY (1932) is being aired in the US on Monday, August 26, 2019, at 12:30 PM EDT on TCM (Turner Classic Movies)


Mr. A’s family comedy, I call it a proto-type of “Father Knows Best,” is being broadcast tomorrow as part of TCM’s salute to Mary Astor. Long before Mary co-starred with Humphrey Bogart or Walter Huston, she played Mr. A’s wife in this May-September relationship. The age difference was not glossed over and, indeed, becomes an important story point as the plot develops.

Mr. A wondered in his autobiography, MY TEN YEARS IN THE STUDIOS, whether A SUCCESSFUL CALAMITY made any money for Warner Bros. but he needn’t have worried. Studio records show that this little film made a tidy profit during the depths of the Great Depression. Get your DVRs ready for this one although your blogmeister is happy to report that Warner Archive has offered this film on DVD for several years now!

Published in: on August 25, 2019 at 11:41 AM  Comments (2)  
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THE RULING PASSION – A Review of Mr. A’s 1922 Silent Film Comedy

Typically listed as a “lost” film, Mr. A’s 1922 silent film comedy, THE RULING PASSION, may exist after all. Hope is kindled by news that one or more foreign film archives may own a print. These include the Russian Gosfilmofond, the Cinémathèque Française, and the Belgian CINEMATEK. Also on your blogmeister’s “hopeful list” is the Dutch EYE Film Institute that has led the way by posting so many of its vintage holdings online.

THE RULING PASSION was based on a short story by Earl Derr Biggers, who later became famous as the creator of the “Charlie Chan” novels. Mr. A plays John Alden, an automobile tycoon who is forced into retirement by his doctor’s orders. Bored, he decides to invest in a business deal – a gas station – in partnership with a young man, Bill Merrick. Of course, Alden uses an alias so his young partner doesn’t know his colleague is practically Henry Ford. Alden and Merrick are swindled in the sale by the seller, Peterson, who competes against them with his new gas station.

Complications develop when Alden’s daughter, Angie, drives in and discovers her father pumping gas. She and Merrick meet and romance blossoms. Angie agrees to keep her Dad’s secret life from her mother but Mrs. Alden eventually stops by for a fill-up and discovers the truth. Alden and Merrick plan a successful marketing campaign, taking so much business away from their rival that Peterson offers to buy them out at a huge profit on their original purchase.

Bill asks Angie to marry him and he goes to her home seeking her father’s permission, unaware that his partner is Angie’s father. The ruse is happily revealed and Alden’s doctor has to admit that the adventure was healthful for Alden who can now return to work again.

The film had its New York City premiere on January 22, 1922, and received mostly excellent reviews. Released through United Artists, THE RULING PASSION was independently produced through a company, Distinctive Pictures, that was formed specifically to make George Arliss films. PASSION became the third Arliss film, following THE DEVIL (1920) and DISRAELI (1921). The success of the earlier two led to making the third, which in turn led to three more films being made.

A trade press story of the day:

Another story for the exhibitors:

Box Office tells the tale:

Doris Kenyon plays the role of Mr. A’s daughter, Angie. A popular screen actress she would play Mr. A’s wife nine years later in ALEXANDER HAMILTON (1931):

While THE RULING PASSION is still considered among the missing Arliss films, we are fortunate that he decided to remake the story as a talkie in 1931 renamed THE MILLIONAIRE. However, lettering on studio photos indicate that the talkie version’s working title continued to be THE RULING PASSION.

An original color half-sheet (22×28 inches) for THE RULING PASSION:

Arliss Alert! VOLTAIRE (1933) to air on TCM (US) on July 12 at 4:45 PM EDT


For US viewers, Turner Classic Movies (TCM) will air Mr. A’s hit biopic VOLTAIRE on Thursday, July 12, as part of the channel’s celebration leading up to Bastille Day on the 14th. This terrific film will be shown at 4:45 PM eastern daylight time. VOLTAIRE had been a story that Mr. A had wanted to play since 1919 but was never able to find sufficient financial support for it. Perhaps producers feared that the subject was too “high brow” for movie-goers. But to Warner Bros.’s credit, the studio decided to move forward with project. They need not have worried – Mr. A turned in a canny and hilarious performance as the French philosopher and wit – proving again the historical biographies could be very humorous and very profitable, at least in Mr. A’s hands.

VOLTAIRE provided Mr. A with his most unique character unlike his other historical roles where he plays great gentlemen. His Voltaire is a scamp who gets himself in trouble with the king and faces imprisonment. Mr. A is supported by a great cast including Doris Kenyon, Alan Mowbray, Reginald Owen, and the members of the “Arliss stock company,” Ivan Simpson, Doris Lloyd, Murray Kinnell, among other familiar faces.

Don’t miss it!

Morphing the Many Moods of George Arliss

Can you identify the characters that Mr. A is playing in these images? The list appears at the end:

EAST MEETS WEST (1936) – A Surprisingly Rare Film these Days!

We understand that a pristine 35mm print of EAST MEETS WEST is held by the British Film Institute. Unfortunately for us, the only source material in circulation at the moment is derived from an old VHS tape, but as they say, ’tis better than nothing:

EAST MEETS WEST is Mr. A’s third British-made film that was produced in London from January to April 1936. Its production was halted for Mr. A to attend the funeral of King George V in January. A humorous tale of international intrigue, Mr. A seems to be channeling his Rajah of Rukh from THE GREEN GODDESS, although his Sultan here is whimsical, not lecherous.

Cover of Press Book for EAST MEETS WEST:

Full Page Woodcut Design from Press Book:

Press Book Pages showing advertising materials available to theaters:

Mr. A’s brother, Fred Andrews, was in the British diplomatic corps and was hired by the studio as a technical advisor for the film:

The film had a strong supporting cast including (left to right) Norma Varden, Ballard Berkekley (later of “Faulty Towers” fame), Mr. A of course, and Godfrey Tearle:

In the center Godfrey Tearle and Lucie Mannheim:

George Arliss in Color in 3-D in HD (High Definition)

Whatever our global worries and concerns, living in the second decade of the 21st century has its advantages. The digitizing of motion pictures, to take just one example, has not only made vintage films from 80 to 100 years ago look new, in fact the process has made them look better than new. Of course, professional grade equipment and knowledgeable technicians will require hundreds of thousands of dollars to achieve these startling results. But happily, the consumer electronics market offers a number of user-friendly and affordable software so we ordinary folks – the fans – can achieve good results for our own enjoyment. Personally, I don’t think the home products equal the results obtained by the professionals, but they come close.

Consider the strides made in colorizing black-and-white photos. Ten years ago the resulting process was not especially good but today color transfers have improved to the point where some of the results are startlingly superb. While your blogmeister cannot claim to rank among the kings and queens colorizing, my work product is not disgracefully inferior either. Recently, software to convert standard two-dimensional images (2-D) into three dimensional (3-D) have likewise come a long way. These results are not the “hyper-reality” some of us rememeber from our Viewmaster slides, but they do suggest a bit of depth. Finally, the option to place images into very sharp focus, known as High Definition or simply “HD” is like the icing on the proverbial cake.

Your blogmeister has spent (or misspent) considerable time learning to master these new technologies and, herewith, I present the results for your approval (or otherwise). Actually, there is one more high tech step that you the viewer can take to enhance your viewing experience. And that is to watch the video below by attaching your cell phone to a VR (Virtual Reality) headgear. I can still get by using the old-fashioned “free viewing” method of training my right eye to focus only on the right image and the left eye on the left image. Our brain is tricked into seeing these in 3-D by merging the two images into a third one that gives the illusion of 3-D. I can’t think of a better subject to benefit from our 21st century ways than Mr. George Arliss. I hope you can enjoy the show!

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